Set almost entirely in a radio station, our three characters – a DJ, a producer and an assistant – find themselves trying to survive a zombie plague.
#Peoples funeral home lone wolf ok movie#
Pontypool is a small movie that plays with vast, strange implications. The details of the web they are caught in matter less than watching them struggle against their fate.
It is also a fantastic trap story (folk horror often focuses on occult traps as evidenced by Kill List, The Canal, Demon and the granddaddy of the sub-genre, The Wicker Man) that is, one in which a doomed character wanders into an supernatural snare specifically designed to exploit their weaknesses. The result, while horrific, is enigmatic and bordering on the surreal, making Left Bank an excellent bookend for 2008’s Sauna. Primarily, though, Left Bank is a folk horror movie, concerned with the fearful secrets the countryside might hold, and what must be done to maintain the status quo. The woman’s injury is the source of a great deal of body horror-inspired anxiety.
There are some obvious comparisons to be made with Rosemary’s Baby – a young woman manipulated into playing an unwitting part in a larger occult drama – but the film draws from other pools as well. Unable to continue training thanks to her rehab, she focuses, obsessively, on the mysterious disappearance of the woman who used to live in the apartment, situated in a fancy new building on Antwerp’s previously rural left bank. Left Bank, or Linkeroever in its native Beligian, is a moody horror film that follows a young competition runner recovering from an injury as she embarks on a new romance and moves into her new boyfriend’s apartment. Don’t let that stop you, though – all of them are worthy of your time. Many of them are rough, suffering from one flaw or another, usually in the form of the small budget. Some are cousins of the genre, in the vein of True Detective, that play with the conventions of horror without being horror themselves. Some are bigger budget movies that inexplicably dropped off the radar. Some are first-time directors showing their potential. This guide looks at current gems in order to glimpse the future of horror. We can only watch The Thing so many times. They mark a frontier.Įveryone talks about The Exorcist and John Carpenter. They are frightening, transgressive things. They may not be great movies in any conventional sense, but they push the boundaries of the genre. Films that feel immediate and vital and surprising. There are movies that embrace rawness, though. While I can enjoy a movie like Insidious, something about it feels remote, perhaps even antiseptic a formal and formulaic example of the broadest definition of frightening, complete with impeccably timed jump scares. The jagged edges of new ideas get smoothed out.
It isn’t that they are bad but that, in trying to appeal to the mass market, they become diluted, or silly parodies of a Halloween haunted house (see the doll from The Conjuring, for example). That meal is seldom found at the local multiplex – most horror films that see national release suffer too much Hollywood tropes.
Through bookshelves and magazines and review sites, we scour, looking for our next meal. A steady diet of crummy horror is the same as starvation. It doesn’t matter what form it takes so long as it is quality fare.
#Peoples funeral home lone wolf ok update#
In addition to new entries, this recent update included a full revision of the existing text, reorganization of the entries into chronological order and light reformatting to improve readability.īeing an enthusiast of the horror genre comes with a deep hunger for more horror. Updated March 13, 2017: While this story originally appeared in Unwinnable Weekly Issue Thirty-One, we have continued to add to it over time. Updated October 13, 2017: 19 new entries added. Updated December 20, 2017: 1 new entry and several misses added. Updated October 1, 2018: 15 new entries and many misses added. The Unseen – A Guide to Recent Lesser-Known Horror Films
0 kommentar(er)
